steffichfineart and Michael Hames
present
PRINTS AND PRINTMAKERS
first annual historic print exhibition
August 22 to September 11, 2008
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What, exactly, is an original print? This question frequently causes confusion and sparks debate amongst present-day art lovers, collectors, dealers, and even artists themselves. Commercial art reproductions based on photographic processes have been around for well over a century. The most common publishing method, offset lithography, has been joined recently by giclee—digitally reproduced images printed with inkjet—and these methods are well suited to posters, book illustration and advertising art. The art market has been flooded in the last thirty years or so, with costly yet ultimately worthless reproductions posing as limited edition prints. Click here for full essay.... ______________________________________________________"Print Making, An Insiders Perspective"Victoria Edgarr
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Prints on
Exhibition
enter here to view Michael Hames prints
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| Afternoon Sahaquin | Ancient Landmarks | Bridge of Sighs |
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| Chalk Boats | Charles Meryon | Church of the Minorities |
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| City Across the Bridge | El Que Crea en el lo Pinte | Equilibrium |
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| Fi-L'Ombre | Goats in Swedish Landscape | Hamburg, Duesterngasse |
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| In a French Cafe | Kabuki Actor-Japanese-Warrior | Jewish Social Commentary |
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| La Siembra | Nurnberg | March of the Weavers |
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| Orphan Sisters | Portrait of JQA Ward | Paris Landscape |
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| Reception in Miami | Pregnant Woman | Riot |
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| Riviera | Sappo | Road to Bristol |
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| Temple Deserte | Schoenbuehel | Tower Bridge, London |
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| Unknown | Ukiyo-e | Why? |
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| Landscape | The Main Gate | View from Fyresdal |
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| Gilmorehill in the Snow | Horseguards, London | Mother with Child |
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